Jan 29 Blog

Seesaw Media’s 2023 Recap and a 2024 Sneak Peak

Now that January is coming to an end, this is the perfect time for us to look back at Seesaw Media’s favourite placements of last year!

But first, how can we talk about entertainment in 2023 without mentioning the writers and actors’ strike? The WGA and SAG-AFTRA unions ended up striking for nearly 6 months. After many negotiation rounds, both sides managed to come together in an agreement for fairer working conditions, compensation, as well as protection against AI. The long months of striking meant many productions were put on hold. However, this didn’t mean all films and TV shows had to be paused.

Today, Hollywood has evolved and is no longer a local and homogeneous business. Smaller independent film companies that respected the interim agreements were allowed to go ahead with filming. Additionally, in the last few years, many big Hollywood productions and studios have started basing their filming locations in the UK. This meant filming could go ahead over here. Some of 2023’s biggest films were shot in England. The list includes box office hits such as “Barbie”, “Mission Impossible Dead Reckoning”, “Wonka”, “Ant-Man Quantumania” and “Fast X”.

Ryan Gosling and Margot Robbie in Barbie

As for Seesaw Media, the strike did not stop us from working and doing what we do best: securing our clients exposure in many of your favourite films and TV shows! 2023 was a year of many genres and fantastic movies. A multitude of films were released which allowed us to see the result of our work on the big screen with exciting action blockbusters like “Fast X”, “Meg 2” and “Expendables 4”.

Jason Momoa in Fast X

2023 was also the return of the rom-com in cinemas! We were thrilled to secure exposure in both Lily James’s film “What’s Love Got to Do with It” as well as ending the year with “Anyone But You”, the highest grossing rom-com since Bridget Jones’s Baby (another one of Seesaw Media’s films!). “Anyone But You”, still in cinemas, is delivering strong box office numbers and is now way past the $100M mark.

Glen Powell and Sydney Sweeney in Anyone But You

From political dramas like “The Diplomat”, to the fan favourite final series of Netflix’s “The Crown” as well as Apple TV’s nail-biting “Hijack”, (which recorded a record-breaking 357M minutes of viewing time), 2023 was a great year for our clients on the small screen too!

Marvel’s latest spy series, “Secret Invasion” gave us an opportunity to once again dress the wonderful Emilia Clarke. And speaking of spies and espionage, we also got to work on the third series of “Slow Horses” which finally came out in December, with an ending making us wish series 4 would come sooner!

Emilia Clarke in Secret Invasion

On the lighter side of entertainment, we saw the return of TV’s favourite radio shrink Frasier Crane in the Paramount+ reboot. We learnt he still very much enjoys the finer things in life and has great taste in whisky.

Now that we’re well into 2024, we’re looking at the year ahead and are very excited and grateful to be off with such a strong start already! The Netflix movie “LIFT” starring Kevin Hart has been number one in 82 countries resulting in client exposure having been seen by 36.5M viewers in one week alone! And that’s not the only action-packed film that is currently available to watch, “The Beekeeper” starring Jason Statham is now in cinemas.

Kevin Hart in LIFT

Now that everyone in this industry is back at work, 2024 is shaping up to be a great year for entertainment and Seesaw Media! Stay tuned for more…

Oct 30 Blog

Paranormal Product Placement

With Halloween fast approaching, the streets will once again be lined with the paranormal: zombies, vampires, ghosts and more in search of tricks and treats. So, in honour of this now global tradition we shine a light on the films and TV shows that celebrate this holiday and, most importantly, the brands that take a starring role through product placement.

There once was a time where companies were scared of being connected to horror films, yet a rise in this genre’s popularity (especially amongst the hard to reach 15-25 male demographic) has led to a rise in the number of brands using product placement to appeal to that audience. Ever since the Scream and Twilight franchises, the latter of which went to gross over $1 billion, brands have been waking up to the appeal of these films and have not been frightened off by the sometime gruesome content

Most recently with Get Out and Alien: Covenant’s opening weekends drawing in $33million, and over $36million respectively, the genre and the appetite for horror films has gone from strength to strength; culminating in this year’s fright fest by the ultimate master of horror, Stephen King with It (2017) becoming the highest grossing horror film of all time having netted over $600 million globally.

In Get Out, the break out hit which saw a return of $253.1million off just a $4.5million budget, it wasn’t just the Producers who cashed in on the film’s success. Microsoft has a starring role in the film with the Microsoft Lumia 950 phone, the Surface tablet and Bing search engine, all appearing prominently on screen.

Not only do the characters use a Microsoft tablet, but they used Bing – a Microsoft search Engine. This may be the most unrealistic bit of product placment considering that when it comes to search engines Google is the go-to resource used by over 77.43% of people online. Apart from Bring, the tech placement in the film is subtle, giving Microsoft products an organic presence in the film.

Microsoft aren’t the only tech brand to benefit from on screen exposure with the Canon EOS 7D making a cameo, with imagery that look like they could be an advertisement.

Furthermore, our heroes car, a Lincoln MKC, is given screen time front and centre coinciding with it 2017 launch.

Product placement in Alien: Covenant was literally out of this world. A successful science-fiction franchise, directed by Ridley Scott, was the perfect platform for brands to showcase their longevity. From the glossy, black Steinway piano played by Michael Fassbender’s character at the start of the movie  to the AI-driven Audi Lunar Quattro, brands were more than happy to showcase their latest and greatest products in this terrifying movie.

The AI-driven Audi Lunar Quattro in particular demonstrates Audi’s advances in the field of Artificial Intelligence. “The ‘Alien’ franchise is the best way for us to garner suitable attention for the Moon rover developed by Audi, and to showcase Audi’s intelligent technologies in a visionary environment,” said Giovanni Perosino, vice president of international marketing communication at Audi.

Slightly less luxurious but just as impressive, JCB also features prominently in the film, with a fleet of over 20 gold wrapped construction vehicles appearing on screen.

 

It’s not just the big screen that is seeing a resurgence in the paranormal horror genre, with product placement in paranormal TV shows also on the rise. In reference to a previous tweetPolaroid sales have increased thanks to Stranger Things. With retro products such as Polaroid cameras featuring in the series, it is a fascinating comeback for a brand that was at its height of popularity over 30 years ago. Martin Franklin, the brand’s head of global marketing, has called it the “Stranger Things Effect”. He says “people are enamoured by that 1970s and 1980s aesthetic.”

They also feature Pentax cameras, and go as far as to put them on a poster tease for the new season.

Depending on what you’re doing for Halloween: watching a scary movie, maybe dressing up as Edward or Bella Cullen in Belstaff, the appeal of horror movies to brands is going to last way past the halloweek. So the next time you are in front of the big or small screen, check out how many products you recognise in the that horror-film, it might be more than you think!

Sep 27 Press Release

High Profile Actresses Deliver Empowering Brand Partnerships

– 27th Sept 2017 –

2016 was a record breaking year for female-led films, with The Center for the Study of Women in Television and Film reporting that women fronted 29% of the top 100 grossing films of the year, resulting in a 7% increase on 2015 results.

With a slow but steady rise in female-led films, it’s no surprise that brands have been quick to capitalise on opportunities to associate with strong and empowered characters through product placement and relevant brand partnerships. We take a look at some of the successes – and fails – of these recent partnerships and propose that the time is now for more female-focused brands to capitalise on the success and popularity of films with strong female role models.

Notable female-fronted films of recent years included Amy Adams in ‘Arrival’, Felicity Jones in ‘Rogue One: A Star Wars Story’, Mila Kunis in Bad Moms’ and the ensemble of Melissa McCarthy, Kristen Wiig, Kate McKinnon and Leslie Jones in Ghostbusters’;  a clear sign that Hollywood is addressing the gender bias that has plagued the industry for decades.

Rogue One Poster and Gillette Partnership

CREDIT: DISNEY

However, despite the dominance of Jones’ character in Rogue One’, with her character taking central stage of the promotional posters, the brand partners of the film were typically male/family-skewing. With promotional campaigns from brands such as Gilette, Nissan and Verizon failing to capitalise on the film appealing to a wider female audience.

Ghostbusters stillCREDIT: SONY PICTURES

Similarly the Ghostbusters’ UK promotional run included gender neutral brand partnerships for National Tyres and Autocare, Sony Mobile, O2 Priority and Karcher, none of which used the strong female characters to their advantage. In fact there was very little in the way of women appearing in the campaigns, with brands seemingly to prefer playing on the popularity of the iconic and long-standing franchise than its appeal to a new female generation.

Ghostbusters Karcher Partnership
CREDIT: KARCHER

2017 continues the revolution of female leads taking over the typically male-skewing film genres with Gal Gadot picking up Wonder Woman’s lasso and sword and smashing the 2017 box office. The film took a massive $800 million during the summer, becoming the third highest-grossing film in Warner Brothers history. As a result, the film’s director, Patty Jenkins is soon to become the highest-paid female director in history following confirmation that she will direct the sequel.

Wonder Woman Patty Jenkins
CREDIT: WARNER BROS PICTURES

Whilst ‘Wonder Woman’ cemented tie-ins with brands such as Dr Pepper, Lego, Nascar and a Walgreens Cosmetics line, the film generated some negative press when it was revealed that one of the film’s partners was a female lifestyle brand called thinkThin, offering protein bars, nutritional supplements etc. Naturally this caused a backlash on social media as many were outraged that the film would promote the idea that being thin is synonymous with being a healthy, strong and intelligent woman.

In stark contrast to this, the film’s promotional campaign also coincided with International Women’s day, where the film’s stars Gal Gadot and Chris Pine used the day as a platform to contribute to the pro-feminist conversation and solidify the film as leading the way for the industry to encourage more female focus and leadership. Despite his celebrity draw, Chris Pine was notably absent from the films promotional posters as the studio played to the film’s strength and made the decision to put Gadot’s character front and center of all marketing efforts.

Wonder Woman posters

CREDIT: WARNER BROS PICTURES

It’s not only the comic-book genre that female leads are starting to take over. This year’s Atomic Blonde’ pulled the punches in this Cold War action thriller, billed as a ‘female John Wick’ and actually went on to gross more at the box office than the Keanu Reeves original. Russian Vodka brand Stolichnaya became a natural brand partner with the film’s bold and edgy tone, fitting perfectly with the brand’s current positioning. The product placement of the brand included two verbal mentions by Theron’s character, with the bottle appearing eight times throughout the film.

The campaign included an Atomic Blonde/Stoli Pandora station which generated over 31K listeners and the campaign’s display ads totalled more than 23.4 million impression,s while pre-roll videos garnered over 9 million views.


CREDIT: STOLI VODKA

2018 is set to continue the trend of female led feature films. Fans of the 2001 crime thriller Ocean’s 11′ starring George Clooney and Brad Pitt are eagerly awaiting the all-female remake titled Ocean’s 8′ with a high profile cast including Anne Hathaway, Sandra Bullock, Cate Blanchett, Helena Bonham Carter, Rihanna and many more.

All we can say about the film so far is that Debbie Ocean, played by Sandra Bullock will attempt to ‘pull off the heist of the century at New York’s star-studded annual Met Gala’ – perhaps providing a golden opportunity for luxury fashion brands given the setting. There’s still a while to wait and see which brands will partner up with the project as the film hits theatres on 8th June 2018.

Oceans 8 still

CREDIT: WARNER BROS PICTURES

Also in the works is the upcoming remake of ‘Dirty Rotten Scoundrels’ currently titled ‘Nasty Women’ led by Anne Hathaway and Rebel Wilson. The original starred Steve Martin and Michael Caine and saw two con men try to settle their rivalry by betting on who can swindle a young American heiress out of $50k first. ‘Nasty Women’ sees the gender reversed version of the 1988 comedy where the two characters will engage in a loser-leaves-town contest.

Nasty Women Rebel Wilson Instagram

CREDIT: REBEL WILSON INSTAGRAM

Another project that will feature a strong and powerful woman is ‘Red Sparrow’, with Jennifer Lawrence teaming up with her ‘Hunger Games’ Director to portray a Russian spy seductress. Starring alongside are Joel Edgerton, Ciaran Hinds, Charlotte Rampling and Mary-Louise Parker.

With the first shots of Alicia Vikander in action as everyone’s favourite ‘Tomb Raider’,  Lara Croft in the films recently released trailer, is yet just another example that goes  to prove how much Hollywood sees the benefit of these female focused movies.

 

With the film industries support and the number of strong female role models on screen, there has never been better opportunity for brands, whether gender specific or not, to reach the core female audience.

From on screen integrations and product placement to smart and targeted promotional brand partnerships, more companies are seeing the benefits of choosing to associate with these mega franchises and push forward the message of gender equality in a typically male-dominated industry.

tomb Raider Alicia Vikander Lara Croft
May 10 Film

Seesaw’s Summer of Films

– 10th May 2017 –

Seesaw Media’s cinematic summer has gotten off to a roaring start thanks to our clients’ exposure in Fast and Furious 8, currently the biggest global opening box office ever.

With our clients appearing in recent trailers released for Spider-Man: Homecoming and Transformers: The Last Knight, our sizzling summer is set to continue. Here’s a look at the full line up of sure-to-be blockbusters we’ve got coming up!

Continue reading Seesaw’s Summer of Films